Peace Lily by Alex Martin

The Katherine Wheel #2 series

REVIEW

The aftermath of World War I is evident everywhere, the heartbreak is still fresh, when the two young women return to Cheadle Manor. Cassandra Smythe returns as the sole heir, after her brother Charles lost his life in the war. She has to take over the role of executive manager of the estate from her grieving and ageing father, but her mother is not ready to accept the new role of women in society. 

Kathy Phipps returns to her husband, Jem, and her family who all work for Lord Robert and Lady Amelia on their vast estate. The camaraderie of the war is soon forgotten when the old order returns between working class and gentry.

A new reality awaits them in which life throws them several new curve balls. Jem lost an arm in the war, and is no longer able to continue his work as a gardener. Like all the disabled veterans, he is dumped on the trash heaps of history and must fend for himself. Kathy, who was trained as a mechanic in the Women's Army Auxiliary Corps, is no longer wanted in the army. The jobless couple must face an uncertain future, while life at the manor, with class conscious Lady Amelia in the lead, slowly picks up speed again.

Jem Phipps:  "Both sets of parents - Bert and Agnes; George and Mary - they still had to scratch about to put enough food on the table for their families. The manor was unchanged. Sir Robert and Lady Amelia were still lording it over the rest of them. What right had they to live in that fucking great mansion when he and Katy - and God knows she'd worked as hard as any man during that Godforsaken war - were bunked up with the Beagles in the tiny lodge house that guarded their posh, locked gate?"

Lady Amelia's bitterness over her only son's death leads to the dismantling of relationships, even Cassandra's American fiance Douglas Flintock, leaves for Boston in a fury. It would lead to new paths for both girls when they sail over the Atlantic to rescue love, but run into trouble in the country for the brave and the free, where class differences are defined differently but just as cruel.

The young people have to battle and adjust to an environment where the part of the population who did not participate in the war, do not understand the trauma and its aftermath for those who are trying to overcome their memories and nightmares of the battle front. The peace lilies deceptively grace the halls and homes. There is a cruel irony in their beauty.

This is a light read, in comparison with the outstanding first book 'Daffodils'. The spirit of hope is the the main ingredient in the story. Family relationships, love, and social prejudice throws obstacles on the road to recovery for the four young people: Kathy and Jem, Cassandra and Douglas. 

Loyalty between husband and wife, between friends, between family, determine the outcome of Kathy's difficult journey. She is the main character, who has to overcome the one obstacle after the other to survive the past and future. She becomes the victim of circumstances and must find her way back to self-respect and hope. Like an old-fashioned corset, she could hardly breath or move easily without feeling crushed.

Cassandra's hardship will be on a different level, where money is no object, job security is not an issue, and prejudice is not a threat. In the end, their friendship will be tested in ways they have never seen coming.

A very relaxing read.

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BLURB
After the appalling losses suffered during World War One, three of its survivors long for peace, unaware that its aftermath will bring different, but still daunting, challenges.
Katy trained as a mechanic during the war and cannot bear to return to the life of drudgery she left behind. A trip to America provides the dream ticket she has always craved and an opportunity to escape the strait-jacket of her working class roots. She jumps at the chance, little realising that it will change her life forever, but not in the way she’d hoped.
 
Jem lost not only an arm in the war, but also his livelihood, and with it, his self esteem. How can he keep restless Katy at home and provide for his wife? He puts his life at risk a second time, attempting to secure their future and prove his love for her.
Cassandra has fallen deeply in love with Douglas Flintock, an American officer she met while driving ambulances at the Front. How can she persuade this modern American to adapt to her English country way of life, and all the duties that come with inheriting Cheadle Manor? When Douglas returns to Boston, unsure of his feelings, Cassandra crosses the ocean, determined to lure him back.

As they each try to carve out new lives, their struggles impact on each other in unforeseen ways.__________________________________________

ABOUT THE AUTHOR

Life has been full to date. Now I have a window, a pause, in which to explore my first passion - writing. I have a shed in the garden where I can be found bashing both brain and keyboard. I'm attempting to express those thoughts and ideas that have been cooking since I was seven, and learned to read. 

There was an old black and gold typewriter knocking about my childhood home. When I wasn't skinning my knees climbing trees or wandering aimlessly in the countryside with my dog and my dreams, I could be found, as now, typing away with imaginary friends whispering in my ear.

My first novel, The Twisted Vine, is based on a happy time picking grapes in France in the 1980s. I met some amazing people there but none as outrageous as those that sprang to life on my screen. The next one, Daffodils, is now published on KDP and in paperback with www.feedaread.com is based in Wiltshire, where I grew up. It attempts to portray how ordinary lives, and the rigid social order, were radically altered by the catalyst of the First World War.

The next one, as yet un-named, is a ghost story. I'm just listening to the whispers from the other side to get the full picture....

You can keep up to date with my progress on alexxx8586.blogspot.com 

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BOOK INFORMATION

Genres: Historical fiction, Britain, WWI, Family, Relationships
Number of pages: 336
Formats: Kindle, Paperback
Publishers:Alex Martin
Publication date: October 3, 2014
ISBN13: B00O694ET4
Edition language: English
Purchase links: Amazon USA | Amazon UK | Barnes & Noble

This Little Piggy by Bea Davenport

REVIEW
This is a psychological thriller beyond belief!

In 1984, the coal miners of Britain went on a strike that eventually would take two to three generations to recover from.

Clare Jackson is a reporter who missed a promotion due to personal reasons and had to recover from both events happening simultaneously while being sent on an investigation into the death of a nine month old baby, Jamie, on the housing estate where many of the miners resided.

She is a reporter for a local newspaper in the North East of Britain and basically acted as a one-man-band who never stopped for anything, as long as she could prove that she was the better choice for the promotion and shame her bosses.

She meets Amy, a little girl in the dilapidated flats, who had many stories to tell, some were fact and some fiction, and could not share everything she knew with the people around her. Nobody wanted to believe her.

Amy's situation spurred Clare on to become more than just a reporter. She instinctively wanted to protect and nurture the little girl despite warnings from her friends to stay away and stop her unprofessional attachment to 'a story'. But Clare was convinced that she could help Amy to become the adult she would like to be. She did not want to disappoint a little girl who had nobody else to take her hand and believe in her. 

Clare became Amy's first real friend; a person she could trust. With Clare, being in the emotional state she was, combined with the psychological connection she felt she had with Amy, events started very soon to spiral out of total control for everyone involved. Clare related to Amy's situation. She was another statistic in the same column of history than Amy. She is an older version. She simply understood. 

With her own unresolved issues influencing her actions, Clare tried to cover the human story of the baby, while also reporting on the situation behind the picket line where miners and police were increasingly moving into a volatile situation.

While being a walk down memory lane for us who remembered the strikes and its profound aftermath, this book also exposed human behavioral patterns which are not only possible, but scary as hell.

This is the second book I read of the author. The first one was 
In Too Deep .

Both books have the same theme of little girls who were ostricised, rejected, socially isolated by their peer groups for different reasons. The effect it had on them manifested itself in their later relationships and actions.

I was so impressed with Bea Davenport's first novel, that I recommended it to many many people who love this genre. It is still one of the best books in this stable that I have read. This Little Piggy, with its powerful plot; various strong support characters; constant, relentless, and never-ending suspense; detailed and vicious psychosomatic, as well as somatopsychic undercurrent, is a brilliant second try for a seasoned journalist in her own right. It is just as much a strong historical fiction-candidate as it is a psychological thriller

My goodness, what a story! It was simply brilliant.

The review copy was provided by Legend Press via Netgalley. THANK YOU for this wonderful opportunity.

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BOOK BLURB
It’s the summer of 1984 and there is a sense of unease on the troubled Sweetmeadows estate. The residents are in shock after the suspicious death of a baby and tension is growing due to the ongoing miners’ strike. Journalist Clare Jackson follows the story as police botch the inquiry and struggle to contain the escalating violence. Haunted by a personal trauma she can’t face up to, Clare is shadowed by nine-year-old Amy, a bright but neglected little girl who seems to know more about the incident than she’s letting on. As the days go on and the killer is not found, Clare ignores warnings not to get too close to her stories and in doing so, puts her own life in jeopardy.

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ABOUT THE AUTHOR (Goodreads bio): 

Bea Davenport is the writing name of former print and broadcast journalist Barbara Henderson.Her first crime/suspense novel, In Too Deep, was a runner-up in the Luke Bitmead Bursary and is published by Legend Press on 1st June 2013. Bea spent many years as a newspaper reporter and latterly seventeen years as a senior broadcast journalist with the BBC in the north-east of England. She has a Creative Writing PhD from Newcastle University where she studied under the supervision of award-winning writer Jackie Kay and renowned literature expert Professor Kim Reynolds. The children's novel produced as part of the PhD, The Serpent House, was shortlisted for the 2010 Times/Chicken House Award and Bea has also won several prizes for short stories. Originally from Tyneside, she lives in Berwick-upon-Tweed with her partner and children. 

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BOOK INFORMATION
Genres: Psychological drama, Historical fiction, Suspense, Thriller, Murder Mystery

Other People's Houses by Lore Segal

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REVIEW
I really feel humble to write this review for an autobiographical memoir by an award-winning author who was nominated for the Pullitzer Prize in 2008. Then I console myself with the idea that I am an ordinary reader with limited knowledge of literature and creative writing. It is kind of a relief, since it allows me to use a creative freedom in my review for which I do not have to apologize!

Other People's Houses deals with a ten-year old Jewish girl's life after Hitler came into power and Jewish people were removed from society in Europe. Jewish children were ostracized, isolated, threatened, bullied and assaulted. No more non-Jewish friends. They were barred from parks, theaters and schools. Teachers refused to teach them. Parents were stripped from their citizenship and jobs.

From the foreword by Cynthia Ozick:

" In 1938 a particular noisy special train from Vienna--it carried the frenetic atmosphere of a school bus--was stopped in Germany to be checked for contraband. The passengers fell silent with fear, as if each one secretly suspected herself of being a smuggler. Then the signal was given to pass on, and all at once the cars began to vibrate with singing and cheers, just as though school holiday had suddenly been declared. And, in a macabre way, so it had, since all the passengers were Jewish schoolchildren, and all of them had been expelled--from school, from home, from country. Their excursion was names the Children's Transport (the parents were to follow later), but it might more accurately have been called Children's Pilgrimage. For some--those who embarked in Holland--it was a delayed pilgrimage to the death camps. For the rest--among them Lore Groszmann Segal, the author of these memoirs, then ten years old--it was a pilgrimage towards joyless England and the disabilities of exile, and, more poignantly, toward a permanent sense of being human contraband."

Lore Groszmann remembered the first ten years of her life in Austria, the following ten years in England, three years as a young woman in the Dominican Republic and then New York. From a bitterly cold December night, 1938 to the 1st of May 1951 was the period she had to survive until their permit to enter the USA was granted.

The memoir is written with an honesty and humbleness, commemorating the life of an only child who had to be sent off on the Children's Train from Austria to England, not knowing if she will ever see her family again. 

In the preface of the book, the author explains the tone of her memoir:

" I am at pains to draw no facile conclusions--and all conclusions seem facile to me. If I want to trace the present from the occurrences of the past I must do it in the manner of the novelist. I posit myself as protagonist in the autobiographical action. Who emerges?
A tough enough old bird, of the species survivor, naturilized not in North America so much as in Manhattan, on Riverside Drive. Leaving home and parents gave strength at a cost. I remember knowing I should be crying like the little girl in the train across from me, but I kept thinking, "Wow! I'm off to England"-- a survival trick with a price tag. Cut yourself off, at ten years, from feelings that can't otherwise be mastered, and it takes decades to become reattached. My father died in 1945, but tears did not come until 1968, when David, my American husband, insisted I owed myself a return to my childhood. I cried the whole week in Vienna, and all over the Austrian Alps."

The engaging tale described the mental tools she had to develop to survive on her own being moved from one foster home to the next. She became accustomed to the class system in England, by being moved from the wealthy family of a Jewish furniture manufacturer in Liverpool - an Orthodox family who spoke Yiddish, which she couldn't understand or identify with at all, to a railroad stoker and his family, a milkman's family and the upper class of Guilford where her mother later would work as a maid. She would be living with five different families: There were the Levines, the Willoughbys, The Grinsleys, and finally Miss Douglas and Mrs. Dillon.

Her mainstay was the contact she maintained with her parents through letters. Each letter had an uncertain destination in Austria. Making friends was a challenge. She was overbearing and demanding, often spiteful, but mostly misunderstood by grown-ups who did not realize the urgency and scope of the horror of Eugenics and the Holocaust playing itself out in Europe. While she tried to assimilate into a new country, new language, new culture, she relentlessly campaigned for exit visas for her parents. Her father, formerly a senior accountant at a bank, and her mother, a qualified music teacher and housewife, eventually acquired work visas as domestic workers. It was the only option available to them. 

Her experiences and thoughts, as a foster child, which she wrote down in a purple notebook at the time, would become Other People's Houses. It was first published in 1964. These valuable notes and memories enabled the author to remain true to the young girl's emotional intelligence in that period of her life. The honesty in the book validates the experience. For instance, as a young girl, unable to fully comprehend the minds of adults, she pushed her seriously ill dad to fall, subconsciously expressing her feelings of anger and hopelessness against him for being unable to take care of her and her hardworking mother in England. Her cruelty towards her grandmother when she destroyed the latter's illusions and admiration of Liberace on the black and white television set in their two-room apartment in New York, takes some courage to admit! Even her cruelty towards a fellow Kinder Transport friend is explained in detail. 

This is a story of immigration and assimilation. Of finding new social bonds within challenging circumstances. It is the story of a lonely little girl who translated pain, guilt, grief, agony, stress and constant fear into suppressed anger, arrogance, ungratefulness, often rudeness and stubbornness. It made her unlikable. Although her parents were able to escape to England, they were not allowed, as domestics, to accommodate her into their lives. Domestics were not allowed to have their children living with them. 

It is unsure why this book is called a semiautobiographical novel. It just doesn't fit a factual memoir, written in the first person (the author does explain in the preface why she wrote it this way, though). Her relationships with her family, their journeys to safety, and their new lives in England, the Dominican Republic and eventually America, was very well written. She had to live with a grandma who had one aim in life and that was to insult the entire world, beginning in the family, rippling out to neighbors and strangers. Grandma targeted the individual members of humanity one by one, everywhere she landed up. 

Lore had to face the disappointment in her hero, uncle Paul, who never could find his groove. She had to discover love in unexpected places, often misconstrued and misunderstood. It would take her many years of experiences, to finally figure it out. Through circumstances, she herself had to close up, was forced to become emotionally arrested, to protect herself against the hurt of strangers. She learnt as a young girl not to trust. 

The picturesque prose kept me riveted to the book. I did not expect a story with a beginning, a middle and an end with drama worming through the tale. But the author's narrative skill painted a perfect landscape of displaced people who had to re-align themselves into humanity. She told the story so well, that it became one of the best memoirs I have ever read. 

The documentary film "Into The Arms Of Strangers" , winner of the Academy Award for Documentary Feature in 2000, visually enhances this book. Both Lore and her mother Franzi, who lived to the ripe old age of 100, was interviewed for this documentary. It is recommended to everyone interested in this story! In fact, when I closed the book and thought about the review, I sat for long while thinking about this little girl. It encouraged me to read more about the Kindertransport. Watching the documentary had the tears rolling down my face. Everybody simply need to watch it!

An estimated sixty million people died in the deadliest military conflict in history. Which means that 54 million people died during the Second World War, trying to stop Hitler's expansionism and his continuing killing of more than the already 6 million Jewish people. In the same period spanning between 1934 to well into the 1950s, another thirty million Chinese people lost their lives due to starvation under the Mau regime. How can you not cry, thinking about the horror of it all? I was thinking about the parents who have sent their children into battle, including millions of non-Jewish people, who ultimately paid the price for freedom for all. My dad went to the same war, fighting on the British side, and came home a totally different, almost unrecognizable person. I was born many years later and was told his story when I was a young woman.

The book is so well-written, however, it is a pity that there were so many gaps left in it. Some experiences never made a full circle. It was just left hanging. It is neither acceptable in a memoir, nor a novel, IMHO.
For instance: the little girl, who became a strong survivor, had one wish, and that was to make friends, be accepted, understood and loved. Although she did not express love in any form in the book, it is evident in her treatment of the people she cared about. She found it difficult to connect to young men, although she wanted to get married and have children. Some of her colorful, notorious romantic experiences are described in the book. But the man she would ultimately marry just fleetingly graced the tale, without any explanation of how they met, or how the relationship culminated into marriage. Her quest for romance is a sub plot in the story, and creates an expectation with the reader. It was just left hanging sterile out to dry in this particular instance. I haven't read the author's other books, but from reading a biography of her life, it seems as though all her books, written for adults, must be read to get the full picture. Her writing is also influenced by the magic realism which was started by Garcia Marquez. It became the axle of her writing adventures. 

The book ends where she is financially barely surviving as a some sort of painter of graphic designs, after working as a receptionist and a filing clerk before that. In a sense there is little evidence of any joie de vivre displayed in the book. A cold, emotionally devoid cynism, intentional or unintentional, winds its way through the entire story. Readers who do not appreciate direct,frank, almost blatant, honesty, will find some of the protagonist's actions offensive. For others, it might be refreshing. I loved it. 

The story concludes with a young woman disappearing into mediocrity. It doesn't make sense for a girl who had too much shutzpah to let it happen! But then again, it is based on reality. Personally, I would have preferred the inclusion of her later accomplishments as a teacher at various universities. She won several literary awards. The book could have celebrated the spirit of a survivor and a fighter. It would have validated the little girl who had to survive on her own and made it. The book could have been so much more. However, the title says it all. It was the first phase of a displaced person's life who were forced to become part of the furniture in other people's cultures, beliefs, homes and lives. Therefore, the tale concludes where she ends this period of her life. 

The story was well-focused and the economical use of words eliminated any possibility of word-dumping. I still would have loved to know if Lore loved flowers, or became enchanted by a rainbow, or ever bonded with a pet. Was there anything that balanced out the challenges she had to endure? Which positive factors, impressions or experiences completed her persona? Was there just not room for it in the book, or was it absent in her life? Which part of her young life inspired her positively; which memories did she left behind. Did she ever experienced happiness? Which elements of her new adopted country was embraced or appreciated? Was there anything she appreciated in other cultures? 

Nevertheless, this was still a magical literary experience. A wonderful, endearing, excellent piece of writing. What a joy!

RECOMMENDED!

This was Lore Segal's first novel and brought her international acclaim.

The book was provided by Open Road Media through Netgalley for review. Thank you very much for this wonderful experience.

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BOOK BLURP (Goodreads)

With a foreword by Cynthia Ozick, this semiautobiographical novel of a Jewish girl forced away from home in the face of Nazi persecution is an extraordinary tale of fortitude and survival

On a December night in 1938, a ten-year-old girl named Lore is put on the Kindertransport, a train carrying hundreds of Jewish children out of Austria to safety from Hitler’s increasingly alarming oppression. Temporarily housed at the Dover Court Camp on England’s east coast, Lore will find herself living in other people’s houses for the next seven years: the Orthodox Levines, the Hoopers, the working-class Grimsleys, and the wealthy Miss Douglas and Mrs. Dillon.

Charged with the task of asking “the English people” to get her parents out of Austria, Lore discovers in herself an impassioned writer. In letters to potential sponsors, she details the horrors happening back at home; in those to her parents, she notes the mannerisms and reactions of the new families around her as she valiantly tries to master their language. And the closer the world comes to a new war, the more resolute Lore becomes to survive.

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ABOUT THE AUTHOR
Lore Segal was born in Vienna in 1928. In 1938, she arrived in England as one of the thousands of Jewish children brought out of Germany, Austria, and Czechoslovakia by the Kindertransport and lived with several foster families in succession. She graduated from the University of London and, after a sojourn in Trujillo's Dominican Republic, came to New York City. She married the editor David Segal with whom she has two children. David Segal died in 1970. She has taught at a number of colleges and universities, currently at the Ninety-Second Street Y. Her four works of fiction are Other People's Houses (1964), Lucinella (1976), Her First American (1985), and Shakespeare's Kitchen (2007). She has also published translations and numerous books for children. She is working on a new book, And If They Have Not Died.

 A finalist for the 2008 Pulitzer Prize for Fiction, Segal has won a Guggenheim Fellowship, two PENO/O. Henry Awards, the American Academy and Institute of Arts and Letters Award, and a fellowship at the Dorothy and Lewis B. Cullman Center for Scholars and Writers, and is a member of the American Academy of Arts and Sciences. Segal has also written for the New Yorker, the New York Times Book Review, the New Republic, and Harper's Magazine, among others. She lives in New York City.

Information sources: Wikipedia | Bookslut | Book "Other's Peoples Houses"(This summarized biography was also added to Lore Segal's profile on Goodreads, by me)

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BOOK INFORMATION
Genres: Holocaust, Second World War, Lore Segal, family, relationships, KinderTransport, ChildrensTransport, Britain, Dominican Republic, Austria, Vienna
Formats: Hardcover, Paperback, Kindle, Nook
Edition language: English
Number of pages: 320
Publishers: Open Road Media
Publication date: September 09, 2014

• ASIN: B00MU9QIG4

 Purchase links: Amazon USA | Amazon UK | Barnes & Noble
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The Truth Will Out by Jane Isaac

MY REVIEW
Detective Chief Inspector Helen Lavery learnt a valuable lesson from her late father, James, a well-respected detective in his own right, when he said: Don't get upset or afraid with the death threats of an acrimonious criminal on trial. It is only the ‘shallow thoughts of a condemned man.’ But was he right? 

She became as successful as he in her profession, while raising her two sons, Matthew and Robert, on her own, after her husband's death ten years earlier. Life was busy, but uncomplicated for her. She was well-known as an assiduous detective in the Hampton Branch of the Homicide and Serious Crime Squad. Her colleagues were trustworthy and hardworking: Superintendent Jenkins, Sergeant Sean Pemberton. However, the same could not be said of Detective Inspector Dean Fitzpatrick. He knew how to play her like a violin and she could not resist falling in love with his melodies. That was a few years ago, and she never forgave him. And now he was back to solve a case in which they would collide as well as corroborate and things are not going well at all. 

So much changed insidiously for all of them. The past, instead of the present, was now more relevant than ever before. It predicted the future and everyone is caught off guard, so to speak.

Eva Carradine and Naomi Spence were best friends since early childhood. There was no reason for either one of them to ever distrust the other. They had a bond stronger than family. But then Eva witnessed an assault on her best friend and sharing a dangerous secret with her friend, she took off, trying to get as far away as possible. Some people were in hot pursuit, with the police not quite on par with her involvement yet. 

For those of you who enjoy the different British detective series on television and love murder mysteries, like I do, will appreciate this fast-moving, entertaining, light-read. However, it is serious enough to be noted, but not hitting the horror- or nightmare zones in any way. 

The story revolves around two murders, with every person related to it having to deal with unresolved issues from their past before the case could be solved. Even the criminals had their stories to tell. Relationships would be tested, between family, friends and work colleagues. The situation demanded of everyone to personally reconsider their motives, action as well as decisions to end the tragedy. I am not giving away any clues!

Like all books, the beginning is slow, introducing all the characters, the scenario, and the plot. But then it picks up pace and before you know it, you're zoning in on Hampton, England and growl for any interference, such as a ringing telephone, or even the cat jumping through the window! I felt like hanging a 'for heaven's sake, do not disturb!'-sign on my closed door, even though I had a strong suspicion of the outcome! 

Legend Press has never disappointed in their choice of new authors. I received this book through NetGalley for review. And enjoyed it. It is a well-written murder mystery for female readers. Definitely not chic-lit.

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BOOK BLURB
"Everything's going to be okay." 
"What if it's not?"

Suddenly, she turned. For a split second she halted, her head inclined.

"Naomi, what is it?"

She whisked back to face Eva.

"There's somebody in the house..."

Eva is horrified when she witnesses an attack on her best friend. She calls an ambulance and forces herself to flee Hampton, fearing for her own safety. DCI Helen Lavery leads the investigation into the murder. With no leads, no further witnesses and no sign of forced entry, the murder enquiry begins.

Slowly, the pieces of the puzzle start to come together. But as Helen inches towards solving the case, her past becomes caught up in her present.


Someone is after them both. Someone who will stop at nothing to get what they want. And as the net starts to close around them, can Helen escape her own demons as well as helping Eva to escape hers?


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ABOUT THE AUTHOR

Jane Isaac studied creative writing with The Writers Bureau and the London School of Journalism. She lives in rural Northamptonshire, UK with her husband, daughter and dog, Bollo.

Jane was runner up 'Writer of the Year 2013' with The Writers Bureau and her short stories have appeared in several crime fiction anthologies. The Truth Will Out is the long awaited sequel to her debut, An Unfamiliar Murder, which was nominated as best mystery in the 'eFestival of Words Best of the Independent eBook awards'. The Truth Will Out will be released by Legend Press on 1st April 2014. The paperback version is available to pre-order here.

Jane loves to meet readers and writers and is always happy to visit bookshops, libraries and books clubs. Write to her through the website contact page if you are interested. Over the last 12 months Jane has meet some very interesting people and visited some great places. Photo source


Author's website
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BOOK INFORMATION

Genres: Britain, Detective Drama, suspense, murder, mystery,
Formats: Paperback, Kindle, Nook
Number of Pages: 288

Publishing date:  April 1st, 2014
Publishers: Legend Press 

• ASIN: B00HWQ19ZU

Edition Language: English

Purchase links: Amazon | Amazon UK | Barnes & Noble |